STAGE PLOT PRO TRIAL MOVIE
STAGE PLOT PRO TRIAL TRIAL

This вЂњcalm before the stormвЂќ device is useful, not just for building anticipation, but also, to encourage the audience to put a particular frame or color on what they are about to see. You have probably seen the moment in a thriller, or an action movie, where the tension has been building toward a particular moment - the bank robbery is starting, the betrayal is imminent, the Death Star is about to be attacked - and then suddenly the action will slow down and we pause to take a closer look at a particular character or particular situation. That helps to cast those earlier moments in a more negative light, because we now know what is coming. In a breach of contract story, for example, you might begin with the realization of the breach itself, and then move back in time in order to introduce the parties and the early steps of the relationship. Moving back and building again to that event also allows you to emphasize it twice. Doing this helps to highlight the key event or moment. Often in cinema, especially, the action will begin at the essential turning point in the drama, and only then will the narrator go back to the beginning in order to fill in how we got to that point. Stories donвЂ™t always begin at the beginning, nor do they need to.

When visualizing this on a timeline, it works well to put one set of events above the line (вЂњWhat we knewвЂќ) before adding the other set of events below the line (вЂњwhat we didnвЂ™t knowвЂќ). For example, вЂњHere are the events we knew aboutвЂ¦вЂќ and then later adding in, вЂњBut hereВ is what was actually going on outside of our awareness.вЂќ This can be especially useful in cases that involve some element of fraud or deception by the other party. One great technique is to contrast what was going on from two different perspectives.

STAGE PLOT PRO TRIAL TRIAL

In this post, I will share five ideas for adding plot twists to your trial story. Rather than just laying out the sequence of events in linear fashion, consider adding a twist or two to the straight-line narrative in order to draw your audience in. Chief among them is the element of surprise. So it helps to think of the narrative devices that do all of that in other contexts.

In the courtroom setting during opening statement, for example, the purpose of your story is not to entertain, but at the same time, you still need to hold attention, to involve your audience, and to encourage them to adopt your frame of reference. This well-known feature of the narrative applies to your trial stories as well. Speaking with cognitive Scientist Vera Tobin, they observe that stories play on our tendency to want to make sense of the world, and plots become more involving and ultimately more satisfying when they engage us in greater effort by violating what we might expect.

STAGE PLOT PRO TRIAL MOVIE

A surprising turn of events can make a movie memorable, and in films like вЂњ The Usual Suspects,вЂќ or вЂњ The Sixth Sense,вЂќ your understanding and perspective on a story can suddenly shift faster than you can say, вЂњLuke, IвЂ™m your father.вЂќ In a broadcast last month, the NPR social scientist Shankar VedantamВ discussed some of the reasons why audiences like the element of surprise. We know that movie viewers love a plot twist.

Stage plot pro trial